Go see it. Now.
I can’t get into it too much at the moment, but to put it mildly, the gears begin to turn after seeing a movie like this. It’s art that forces the viewer to either interact with it or -if the viewer is unreceptive-to be seriously uncomfortable the entire time.
And that’s what I enjoyed the most. The non-linear, absurdist, slightly discomforting ideas that the film injects into your brain.
It’s far from perfect and far from genius, but it shakes you from your daily routine, it both elevates and insults that daily routine enough, that you can’t help but be grandiose and awed and humble and envious and full of ‘what if’s’.
I suppose that’s also what I enjoyed about the movie. The ability of the film to turn a burning glare on the real possibility that we are missing the important events in our own lives. We are paralyzed by fear and indecision and obligation. We make things more complicated and overthink them and thus regret is born. And then we reflect on regret we perhaps miss more important events. We try to learn from all the failures and learn from the mistakes but while we’re doing all this learning, we’re forgetting to pay attention to what happens in real time. We’ll always be one step too slow or a minute too late and then we die thinking that it should have been different. But it won’t be. The sooner we learn this the wiser we are, but once we learn that Godot really isn’t coming, our play will be over. So, does wise equal death?
.
.
.
We have been conditioned since birth to think of our lives as stories. There is a beginning. middle. and end to our stories, but there are also long crippling moments of indecision. But in the tales we are used to hearing and modeling ourselves after, there are no murky lulls, there are no mundane moments. Someone is watching those players dance across the stage at all time and by virtue of this very fact there is meaning and purpose.
What do I do in those most humbling of moments that no one is watching? Is there meaning to what is inside my head even though no one else knows what I am thinking? Perhaps there are those that can comprehend bits and pieces, but to understand the entire thing? If I can’t convince anyone to take stock of the whole shebang, does it matter at all? I can present myself in a hundred different easily digestible ways. Pre-packed, processed, inspected bits of me to be categorized, filed, and stored somewhere. But no one (or many) can make out the entire canvas, just fractions of the whole, and this makes the portrait meaningless.
In the end, Caden Cotard finally realizes this. The one person that had the best chance at seeing entire picture was there and he was frozen with doubt, letting her slip almost completely away.
Note: there are far more aspects to this film, I just thought I’d sleepily free-write for a while on a Monday morning.




